The $200m intervention fund offers Nollywood the opportunity to
put its house in order for a relaunch
President Goodluck Jonathan last week went beyond lip service to take
the long overdue step of providing funds to further leverage Nigeria’s
fledgling home video industry. This came in the form of $200 million for
a special progamme tagged Project Nollywood. The grant, which has
created a lot of excitement in the movies industry, falls within the
administration’s planned assistance to a sector that is expected to
generate considerable income to the nation while providing employment to
many.
The envisaged radical rebirth of Nollywood will remain a mirage if the
industry stakeholders do not quickly put their house in order, by ending
the factional and other squabbles wracking some of its best platforms.
Except this is done, and done quickly and decisively, the presidential
intervention could actually signal the demise of Nollywood. This is
because a misguided scramble for dominance by the various guilds, or
even renewed leadership tussles based on wrong notions about what the
intervention fund is all about, may spell doom just when a bright light
appeared at the end of the tunnel. This must not happen.
Industry big wigs must relate to the announced funds and the envisaged
improvements in the sector with every sense of responsibility; rather
than start salivating that the time has come for individuals and groups
to fight over ‘Ghana Must Go’ bags and haul away as many as they can.
Government officials who will also be in charge of disbursement should
not see this as another slush fund for political patronage and
self-enrichment.
As has been attested to by many experts, Nollywood has the capacity to
create hundreds of thousands of jobs across such industry skill areas as
set design, make-up, prop design and management, directing and much
more. With this financial intervention, more schools and facilities for
editing and post-production skills can therefore be established to
expand and improve opportunities for development and expansion. There
should also be some investment in proper writing and script conference
skills, as well as professional self-management training for actors and
actresses.
Besides the foregoing, the time has come for Nollywood to have its own
Movie Production Village. Industry stakeholders should also design some
means of providing revolving funds out of the government largesse, for
credible players to facilitate the birthing of many brilliant projects
and ideas that have been held back for years because of the limited
means of their creators. This is the time to improve content, re-profile
the technical quality of productions and take Nigeria to where the rest
of the world is in the industry.
The federal government $200 million intervention also offers the
various regulatory agencies in the sector the opportunity to pull
themselves together for a relaunch. Anti-piracy and content protection
measures should now be driven with contemporary tools which can be
easily obtained all over the globe. Insurance and artistes’ rights
issues, including contract guarantees and the creative independence of
directors can now be taken up within a framewok of civilised
professionalism.
We commend the Federal Government for having the presence of mind to
leverage this sector and the president for keeping his word on a pledge
he made many months back. It is now time for the industry stakeholders
to justify the confidence so robustly demonstrated by showing Nigerians
and the world that a new day has come for Nollywood.
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